While driving on a bumpy road in a desolate area with a glitching radio signal.
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Both the emo and the industrial elements are done to the max, which makes you feel like you’re listening to a playlist with songs from Code Orange and emo rappers. In “ Nihil ,” Ghostemane once again pulls from industrial and noise realms that together, with mellow piano samples and the sung verse “ I haven’t been good to myself/And you haven’t been good to me,” create a dynamic range that spans from emotional to extreme. Read more: Hear Ghostemane return to black metal with his side project’s new EP “Nihil”
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Chill(y) trap meets glitched noises, and rap verses shift to panicky Slipknot-style vocals as the track, with the help of live drumming by blink-182’s Travis Barker, progresses into a scream-powered industrial-metal explosion-then makes a full circle back to a dark trap ritual. One year after he debuted the post-industrial/techno side project SWEARR, Ghostemane dropped “ D(R)Ead ,” a single that foretold the dominance of industrial sound on N / O / I / S / E. If you’ve only seen one music video by Ghostemane, chances are it’s also this one. If you’ve only heard one song from Ghostemane, chances are it’s this one. It takes about one-and-a-half minutes, and that’s all Ghostemane needs to mold this sticky matter into an astonishing trap-metal Frankenstein. It’s more like a twisted artistic villain sawing off random body parts from zombified trap, death-metal, nü-metal and industrial-metal archetypes and grinding them up in a superpowered food processor. In this unruly track from Hexada, Ghostemane’s creative process comes off as that of a painter picking colors for a contrasting yet weirdly harmonious palette. Read more: 10 trap-metal releases that push the genre into new extremes “Rake” Which makes “Starshot” one of the most creative, compelling and extreme nods to emo rap in trap metal to this day. The latter, featuring Wavy Jone$’ introspective rap verses, is built upon a bright, melancholic motif from “ Such Small Hands ” by La Dispute.
” Its rough, ostensibly random, I-don’t-give-a-fuck placement reflects Ghostemane’s bold and straightforward approach to mashing up references in his Blackmage era.Īnother standout banger from Blackmage, “ Starshot ” is one intense story told in two entirety different moods, as unleashed industrial rage and Ghostemane’s screamed vocals frame an emotional passage in the middle of the track. In “ Elixir ,” as soon as you get used to the mashup of distressed rap verses, piano melodies and open hi-hats gliding along the guitar hook from Nirvana ’s “ Smells Like Teen Spirit ,” the flow gets interrupted by a heavy riff from Pantera ’s “ Walk. Way before he debuted his black-metal side project, Ghostemane put out Blackmage -a record which continued pushing the limits of the genre that in 2016 was already gaining a cult-like following. But instead, Ghostemane’s agitated flows, deep lo-fi beats and crawling atmospheres culminate with a guitar sample from Black Sabbath ’s “ Electric Funeral ,” making the track anything but predictable. So much so that you might expect an outburst of blast beats to eventually break the suspense.
If you could imagine the spooky synth lead in “ Swan ” played on a guitar in tremolo picking style, the references coming to mind would be along the lines of early Mayhem or Darkthrone, as this haunting melody mirrors some of the most typical riffs in black-metal classics. Read more: Poppy and Ghostemane raise hell to defy genres for a combined cover “Swan”
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